Berlinale Round-Up 2017

On Body and Soul, Ildikó Enyedi (2017)

On Body and Soul, Ildikó Enyedi (2017)

 

"Do you want to instigate a revolution without laughter?"

- Beuys

 

Refugee narratives, auteur landmarks from female directors and queer cinema dominated this year's Berlin International Film Festival, whose program is quickly becoming the most vast and topical selection of contemporary world cinema.  Finnish master Aki Kaurismäki and Belgian cinematographer-turned-filmmaker Philippe Van Leeuw offered diverse if equally compelling lenses into the Syrian refugee crisis, while Agnieszka Holland and Ildikó Enyedi delivered humorous and borderline-bizarre portraits of modern women, the latter winning the Golden Bear.  Gay and trans-themed works were in robust display, hailing from Japan to South Africa to Chile, but perhaps the most clever message arrived in the form of Luca Guadagnino's Call Me By Your Name—sometimes a gay film doesn't have to be a gay film at all.

 

Below are Filmatique's Top Films of the 2017 Berlin International Film Festival:  

 

 

Becoming Who I Was, Chang-Yong Moon & Jin Jeon

Call Me By Your Name, Luca Guadagnino

Casting JonBenet, Kitty Green

Chavela, Catherine Gund & Daresha Kyi

Close-Knit, Naoko Ogigami

El mar la mar, Joshua Bonnetta & J.P. Sniadecki

Félicité, Alain Gomis

Hostages, Rezo Gigineishvili

House in the Fields, Tala Hadid

Inflame, Ceylan Özgün Özçelik

Insyriated, Philippe Van Leeuw

Investigating Paradise, Merzak Allouche

Mr. Long, Sabu

On Body and Soul, Ildikó Enyedi

On the Beach at Night Alone, Hong Sangsoo

One Thousand Ropes, Tusi Tamasese

The Other Side of Hope, Aki Kaurismäki

Requiem for Mrs. J, Bojan Vuletic

Return to Montauk, Volker Schlöndorff

Río Verde. El tiempo de los Yakarunas, Alvaro & Diego Sarmiento

Spoor, Agnieszka Holland

Una mujer fantástica, Sebastián Lelio

Vazante, Daniela Thomas

When the Day Had No Name, Teona Strugar Mitevska

The Wound, John Trengove

 
Vazante, Daniela Thomas (2017)

Vazante, Daniela Thomas (2017)

 

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Curation by Ursula Grisham

Head Curator, Filmatique

February 2017