In an exclusive interview with Filmatique, Talia Shea Levin (Next Time) discusses shooting a film about the problems of communication in relationships, creating the real billboards for the film, and her theater background.
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In an exclusive interview with Filmatique, Danilo Stanimirović (Bambiland) discusses shooting a with autobiographical elements, using visual metaphors and creating a feeling of nostalgia.
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In an exclusive interview with Filmatique, Christopher Kahunahana discusses specific forms of economic exploitation in the 'paradise' of Hawaii, everyday life as a Kanaka Maoli, the politics of cinematic representation, and his current projects.
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In an exclusive interview with Filmatique, Siamak Etemadi discusses the inspiration behind Pari and how his multicultural upbringing helped shape the film.
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In an exclusive interview with Filmatique, Paloma Sermon-Daï discusses shooting a very delicate subject–her brother’s drug addiction–with her actual brother and mother, as well as the advantages of shooting in her hometown.
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In an exclusive interview with Filmatique, Aglaja Filipović (You Know What I Have Nightmares About) discusses shooting a film about one’s deepest fears, and examining relationships where someone silently suffers from depression.
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In an exclusive interview with Filmatique, Laura Gabay (Sweet Salty Wind) discusses the loss of parents and life post-Hurricane Irma for the protagonists of her film: three young siblings.
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In an exclusive interview with Filmatique, Devshree Nath (Noor Islam) discusses the citizenship crisis that is happening in Assam (in northeastern India).
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In an exclusive interview with Filmatique, Anne Émond discusses love as the impetus for filmmaking, hiking in Turkey with her actresses, the importance of trust, and her newest project—a farm.
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In an exclusive interview with Filmatique, Sacha Polak discusses intimacy, the challenge of shooting one's first feature, cinematic inspirations and her upcoming projects.
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In an exclusive interview with Filmatique, Iram Haq discusses navigating life experience with cinematic depiction, telling a story from multiple points of view, the politics of filmmaking, and her next projects.
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In an exclusive interview for Filmatique, Phuttiphong Aroonpheng discusses the voicelessness of the Rohingyas, a prevalence of ghosts in his work, improvising on set, and his second feature, Morrison.
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In an exclusive interview with Filmatique, Collatos discusses representing the current sociopolitical state of America onscreen, aesthetics of implied aggression, shooting his first documentary in Rio de Janeiro, and upcoming projects.
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In an exclusive interview for Filmatique, Tim Sutton discusses the vapor of youth, filming the ephemeral, the purity that comes with shooting low-budget, and his next projects.
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In an exclusive interview for Filmatique, Christopher Makoto Yogi discusses movement and transience, a suspicion of the image, shooting with the local Japanese community in Hawai'i, and his next project.
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In an exclusive interview with Filmatique, Sendijarevic discusses filmic form as content, the constructed nature of materialist society, casting via Facebook and her next project.
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In an exclusive interview with Filmatique, Milos Mitrovic & Fabian Velasco discuss casting friends, the grunge of 16mm, inspiration in Solondz and Alverson, and their next projects.
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In an exclusive interview with Filmatique, Svetla Tsotsorkova discusses film directing as professional lying, the fatuous nature of (most) teenage girls, small town life as a magnifying glass, and her next project.
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In an exclusive interview with Filmatique, Park Hee-kwon discusses filming on location in Seoul's redevelopment zone, representating the precarious, cinematic imitation, and his next project.
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Head Curator Ursula Grisham interviews Peruvian filmmaker Hans Neumann for the 2020 edition of Filmatique Talents.
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