In an exclusive interview with Filmatique, Reygadas discusses cinema as an art of presence, the natural feeling of eternity in youth, cinematic time as a mode of encountering the peripheral, and the virtue of filmmaking as a hermeneutic endeavor.
Read MoreIn an exclusive essay for Filmatique, Head Curator Ursula Grisham examines Pablo Larraín's Post Mortem and Carlos Reygadas's Battle in Heaven through the prism of slow violence, an emergent category of cinema.
Read MoreIn an exclusive essay for Filmatique, Dr. Paula Halperin explores legacies of political violence and neoliberalism in Pablo Larraín's Tony Manero and Post Mortem.
Read MoreA showcase of early works from two Latin American masters—Mexican auteur Carlos Reygadas and Chilean social satirist Pablo Larraín.
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